Jeanne凯特·西亚
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大牌影星朱·巴瑞摩尔曾在著名科幻巨片《E.T.外星人》中饰演一位惹人喜爱的小女孩歌蒂,而在《欲海潮》一片中,观众所看到的巴瑞摩尔已不再是一个小女孩了,她已经成长为一名成熟性感的大艳女。 茜维是一个叛逆不平的富家女,在一个偶然的机会遇到了与自己个性迥然不同的艾薇,她热情开放的举止及特有的神秘色彩让茜维为之震撼,因好奇心驱使她一心想与她成为好友,因缘际会下,艾薇住进了茜维家,但从此灾难接踵而至,父亲被艾薇诱惑出轨,母亲离奇堕楼而亡……
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大牌影星朱·巴瑞摩尔曾在著名科幻巨片《E.T.外星人》中饰演一位惹人喜爱的小女孩歌蒂,而在《欲海潮》一片中,观众所看到的巴瑞摩尔已不再是一个小女孩了,她已经成长为一名成熟性感的大艳女。 茜维是一个叛逆不平的富家女,在一个偶然的机会遇到了与自己个性迥然不同的艾薇,她热情开放的举止及特有的神秘色彩让茜维为之震撼,因好奇心驱使她一心想与她成为好友,因缘际会下,艾薇住进了茜维家,但从此灾难接踵而至,父亲被艾薇诱惑出轨,母亲离奇堕楼而亡……
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Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
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Sam(MatthewBroderick)isthereasonablemaninacrazyurbanworld,themanofthoughtfulnessandrefinedtasteinalandscapeofLeroyNeimanpaintingsandbeercommercials.Theguywouldsoonercookforanhouroverahotstovethansay`supersizeit.’Bydayhe’sastoreclerkinanupscalegourmeteatery,andthesescenesraiseasmile,especiallyforanyonewho’svisitedtheactualchaininNewYorkCity--theportrayalisn’tfarofffromthereality.OurmanisbesiegedbyhoardsofcustomerswhowanttheirimportedFrenchcheesecuttoimpossiblyexactstandards.Hiseffortstoremainoutwardlypolite(whileyouknowhe’dliketotakethecleavertotherelentlessclientele)areprettyfunny,andwillwarmtheheartsofclerkseverywhere.Ingeneral,Broderickisingoodformandprovidesthemoviewithmostofwhateverlightnessitpossesses.Sciorra’slovelorndentalhygienist,Ellen,isfineenough,too,andherunknowinginteractionwithourcheese-slicingheroshowssomehopefulchemistry,andyoumaybegintofeelyouwanttoseethesetwogettogether.Oneofthemaincompetitorsforourlady’saffections,astockbroker(KevinAnderson),isplayedascaricature:he’sthebeerswillingfrat-boywhoseideaofafter-sexsensitivityisflippingonthefootballgame.He’skindoffunnyattimes,butthemoviemightbestrongerifhewaswrittenoractedforustolikehimmore,insteadofhavingusmerelyrecognizehimastheflat-out`wrong’guyincomparisontoBroderick’ssensitiveman.ThinkofJohnCandyinSplash,takingacigaretteandbeercantotheracquetballgame;weknowhislifestyleisnottheoneourheroshouldemulate,butwecan’thelpbutbecharmedbythelikeablegoon.Whereasthischaracterismerelyagoon,andprettyunlikableallaround.Whileit’saniceenoughlightmovieforthefirsthalf,formethestorywassomewhatderailedbyitsunbelievable(Hollywood)presentationofsexandadultery.(SPOILERAHEAD,skiptonextparagraph.)WhenEllenreturnshomeafteranevening’smisadventures,sheisnaturallyfacedwiththequestioninghusband(MichaelMantell).Quicklyadmittingherownindiscretion,shethenimmediatelyturnsthesituationaround,demandingtoknowwhytheguyhadgoneaheadandboughtahousewithoutdiscussingit.Granted,it’savalidissue,andgranted,manypeopleusethiscounteringmaneuverinarguments.What’sunbelievableiswhathappensnext:theguystartsrespondingtoherquestion,addressingthehouse-issueinaquiet,thoughtfulmanner.WHOA.You’dbehardpressedtofindamarriedpersonintheworldwho,whenfacedwithhis/herpartner’stotallyunexpectedadultery,wouldbereadytoaddressanythingsocalmly.Theguywouldsurelybebouncingoffthewalls,orelsecrushedintosilenceandtears-butsee,thenwemightactuallyfeelforthepoorschnook,andwe’dseeSciorra’scharacterinapoorlight.Andsincethatparticularaudiencereactiondoesn’tservetheromanticcomedy,thestorytriestosneakaroundit.Youmaystarttofeelthat,likethehusband,you’rebeingtaken.Furtherdissatisfactionisjustaroundthecornerintheending.Werealizethisiswheremisunderstandingswillgetsortedout,andourcouplewillfinallyseeaclearpathtooneanother.Wewantthesatisfactionofrootingforthem.Butit’smarredbyanotherunbelievablecharacterreaction,followedbyanabruptconclusionthatfeelsrushedandforced,tooeasyandunearned.Youmayfeelasthoughthemovie’scheatingonyouagain...
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In sepia tones, the film moves back and forth among three periods in Robert Tucker's life he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..
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她典当最后的家当,一个金十字架,他震惊于她的美丽,多给点钱,她不肯要。美女与押店店主,一个珍视灵魂,一个贪求物质。错配的婚姻,开场已知结局:她用死亡换取自由。往后是押店店主第一人称故事,苦寻妻子自杀原因但徒劳,观众如堕迷雾,他自圆其说,画面故事益发绷紧。她的神秘,是布烈松的留白,观众的解读空间。导演爱把演员变“模特儿”,本次找来真模特儿杜明妮桑德,不因为她美,而是看中她的声线,但桑德的静,有澎湃感染力。布烈松第一部彩色,令温柔添残酷实感。
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她典当最后的家当,一个金十字架,他震惊于她的美丽,多给点钱,她不肯要。美女与押店店主,一个珍视灵魂,一个贪求物质。错配的婚姻,开场已知结局:她用死亡换取自由。往后是押店店主第一人称故事,苦寻妻子自杀原因但徒劳,观众如堕迷雾,他自圆其说,画面故事益发绷紧。她的神秘,是布烈松的留白,观众的解读空间。导演爱把演员变“模特儿”,本次找来真模特儿杜明妮桑德,不因为她美,而是看中她的声线,但桑德的静,有澎湃感染力。布烈松第一部彩色,令温柔添残酷实感。
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布莱恩·奥哈罗兰/
杰夫·安德森/
玛丽琳·吉格洛尔蒂/
杰森·缪斯/
凯文·史密斯/
斯科特·摩西尔/
莉萨·斯普豪尔/
沃尔特·弗拉纳根/
Pattijean Csik/
Donna Jeanne/
加里·斯特恩/
Thomas Burke/
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美国的小众独立电影,讲述了便士多店小店员但丁(布莱恩·奥哈罗兰 Brian O'Halloran 饰)郁闷抓狂的一天。过了睡眠质量极差的一晚后,但丁大清早被老板叫去加班。这只是倒霉的一天的起始,接下来,还有更多麻烦事情接踵而至,开店门、喷标语、遇见唠叨的反吸烟人士阻挠店面生意。一个头两个大的但丁,还要和前来店铺的女朋友维罗尼卡(玛丽莲·吉格洛尔蒂 Marilyn Ghigliotti饰)交流性生活经验。结果落得个不欢而散,因为女朋友拥有过的性伴侣数目实在令但丁叹为观止。 麻烦事还是一桩接一桩,这时前女友的到来令但丁的心狠狠振作了一下。他的艳遇到了,似乎终于可以扫走霉运。可是,卫生间内的“奇遇”,又摧毁了这件美好的事情。
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In 1905, French seminarian Bruno Reidel is found guilty of murdering a child. At the request of the doctors observing him, he writes his memoirs to explain his action.