爱德华·科胡特齐天
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This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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I am awestruck by this movie. Fast zombies that can use weapons, even guns, and are capable of intelligent thought. They plot a strategic offensive to take over the city, hitting the airport, then the TV stations and the power plant. If you love horror, gory, and violent movies and don't mind a little bad acting, then you will LOVE this movie. It is exciting and even a bit suspenseful. It starts out fast and hard and maintains a steady pace of mayhem and carnage. I can't believe more people haven't seen this film. I have yet to meet a horror movie buff that has seen this film before. It is a true gemstone of European horror and exploitation, definitely up to par with the classics of the genre such as Zombi 2, Demons, House by the Cemetery, etc. And it's even readily available uncut (92 minutes) on DVD from Anchor Bay (under the title Nightmare City) and on VHS under the title City of the Walking Dead. Super gory and violent, a must for fans of Italian grind house flicks.
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此片改编自智利作家José Donoso的小说，荣获了39项国际大奖，是智利历史上最非凡的电影。讲述的故事发生在一幢残垣败瓦的大宅里，五十八岁的唐安德斯是单身没落贵族，读了一辈子书却活得毫不起劲，颓废抑郁，十七岁的乡村少女艾丝蒂拉受雇照顾其年迈而脾气暴躁的祖母，渐渐地唐安德斯对她产生了无法抗拒的爱恋。当艾丝蒂拉结识了一名工人阶级少年后，一座死火山终于爆发，不惜将一切淹没。从颓废与崩析刻划心理矛盾与超乎常态的情绪波动，一直是智利当代文学大家荷西唐劳素(José Donoso)的特色。由摄影指导晋身导演的卡奥治，继前作《镜中月》后再次改编唐劳素的小说。对原著丰富含蓄的细节和角色的执迷拿捏准确，在智利、蒙特利尔和意大利2000年的电影节均赢得最佳导演奖。
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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As its title suggests THE FABULOUS WORLD OF JULES VERNE is an awe -inspiring, meticulous cinematic rendering of the aesthetic and conceptual inventions of proto-science fiction genius Jules Verne, based on one of the famed author's lesser known short stories. However, the real star of the film is the intricate art direction, successfully rendering the visual style of nineteenth century woodcuts and engravings into motion pictures, creating a stylized and surreal graphic world within which Verne’s fanciful tale unfolds. A brilliant scientist, Dr. Roche, perches high above a stormy sea, inventing a powerful explosive, when he and his assistant are kidnapped by an evil businessman, Artigas. Taken by submarine to Artigas' volcano headquarters, Roche is tricked into developing his experiment for evil intentions. The scientist’s assistant, Simon, struggles all the while to free himself and warn Roche. A magical world of baroque submarines and sailing ships, killer octopus, undersea bicycles dazzles audiences as human actors, puppetry, animation and fanciful scenic design interact to create a cinematic experience that is unique by any standards. Mixing slapstick comedy, action adventure pacing and Mélies style film magic, this little known Czechoslovakian gem transcends the juvenile literature at its source to create cinematic art of the highest order....
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When a comet passes the earth very closely, it pulls a small part of North Africa with it. Carried along is a bunch of people. Among them Angelika, who just escaped from a ruthless weapon dealer's ship, and her two brothers, who are searching her. Then there's a group of natives, who plan a rebellion against the French colonists. All these conflicts become secondary when the people finally realize that they are doomed to live together on an alien planet. However this time of peace and world-happiness won't last for long...
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指挥官维尼裘斯（帕维·德朗柯 Pawel Delag 饰）深深的爱着身在罗马的人质公主丽姬娅（玛达琳娜·米尔卡兹 Magdalena Mielcarz 饰），于是，残暴的尼禄皇帝（克兹佐夫·马扎克 Krzysztof Majchrzak 饰）将丽姬娅赏赐给了维尼裘斯为妻。然而，丽姬娅公主是一个虔诚的基督教徒，她不能忍受维尼裘斯靠杀戮和掠夺过活，丽姬娅选择了离开维尼裘斯。 为了挽回丽姬娅，维尼裘斯找到了基督教的秘密集会处，开始聆听教义，试图理解基督教的核心思想，想通过此走进丽姬娅的内心。当维尼裘斯回宫时，尼禄皇帝正在焚烧罗马城，而丽姬娅就在其中，维尼裘斯闯入火海救出了爱人。皇后非常嫉妒维尼裘斯和丽姬娅之间坚贞的爱情，于是设计陷害。
