多马南尼·莫莱蒂
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莫莱蒂新片《三层楼上》改编自伊斯兰作家Eshkol Nevo的同名小说（Three Floors Up）。影片把小说的背景移到意大利，讲述居住在罗马城区一栋三层楼房里的三户家庭的故事。在十年的时间内，每个家庭成员都被迫应对艰难的情况。面对这些 痛苦，他们所做出的不同选择将决定彼此生活的轨迹。
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影片由三个短片构成，片中演员均扮演他们本人。 《踏着我的摩托机车》：南尼骑着摩托车穿梭在大街小巷中，一次偶然中，他结识了女演员詹妮弗·比尔斯，可惜两人语言不通，无法交流。南尼开始看起了电影，他惊诧于一部名叫《连环杀手亨利的肖像》的影片的血腥和庸俗，和对其大唱赞歌的影评人，他找到了那名影评人。 《群岛》：南尼来到了一座小岛上，那里住着他热衷于研究小说《尤利西斯》的怪咖朋友谢拉多。最经，这位朋友竟然迷上了看肥皂剧，他不仅开始将肥皂剧与《尤利西斯》相提并论，更做出了一些更加疯狂的举动。 《医生》：因为皮肤病，南尼进了医院，可是他的病看过了许多人生都没有见好，荒谬的是，这些医生做出的诊断和开出的药方竟然大相径庭。
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《我的母亲》是南尼•莫莱蒂的自传体作品，讲述的是一个女导演在新片杀青及母亲离世前的心理变化。女主角玛格丽塔人至中年，各种危机接踵而至，感情破裂，女儿不省心，事业陷入僵局，母亲将逝，这一切都让她的内心受到折磨。玛格丽塔在丧母之痛的焦虑与新片拍摄的野心之间不断来回转变，而现实与梦想的差距又让她倍感失落。影片也在混乱的片场与医院之间摆荡，时而插入一些幻想式的场景。当玛格丽塔的电影终于杀青，她的母亲也不幸离世，导演和女儿的双重身份另她陷入了深深的迷惘。
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墨索里尼的新城镇Sabaudia充斥着颓废的气氛， 艾希欧(Elio Germano饰演) 和他的哥哥玛瑞科 (Riccardo Scamarcio饰演)生活在一起在残存的砖瓦建筑中。艾希欧是一个不合时宜的反叛分子，他不管他的父母和兄弟的反对加入了新法西斯主义MSI党。而玛瑞科是一个左翼人士。影片通过两兄弟的政见矛盾表现了当时小镇的社会背景，从而反映了当时的政治现状和社会现状。影片也再现了二十世纪六七十年代意大利的社会创伤和生活风情。
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第三季改编自原著“那不勒斯四部曲”中的《离开的，留下的》。 莉拉16岁结婚，有一个年幼的儿子，离开丈夫和舒适的生活，如今在一家条件艰苦的工厂工作；埃莱娜离开了城区，从比萨师范毕业，出版了一本成功的小说，这让她进入了一个富裕而高雅的世界。她们以不同的方式，挑战着苦难、无知和屈从的生活界限。 故事来到1970年代，世界充满了希望、不确定性、压迫，还有难以想象的挑战。两位女性在社会变革带来的机遇中前进，始终矛盾地紧密相连。
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故事发展到第三季，莱侬（玛格丽塔·马祖可 Margherita Mazzucco 饰）终于走出了贫民窟，学有所成的她不仅成为了德高望重的教授，还出版了自己的第一部小说。在和出身名门的皮特罗（马特奥·切基 Matteo Cecchi 饰）结婚之后，他们很快就有了孩子。直到第一个孩子出生之后，莱侬才渐渐发现婚姻带给女人的束缚和摧残，在她和皮特罗的感情岌岌可危之时，尼诺（弗朗西斯·塞尔皮科 Francesco Serpico 饰）的再度出现成为了压垮这段关系的最后一根稻草。
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
