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ASaintLaurentbyAnthonyVaccarelloandVixensproduction,incoproductionwithL’Atelier.Jean-LucGodardoftentransformedhissynopsesintoaestheticprograms.Drôlesdeguerresfollowsinthistraditionandwillremainastheultimategestureofcinema,whichheaccompanieswiththefollowingtext:“Nolongertrustingthebillionsofdiktatsofthealphabettogivebacktheirfreedomtotheincessantmetamorphosesandmetaphorsofatruelanguagebyreturningtotheplacesofpastshootings,whiletakingintoaccountthepresentstories.”
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当比拉尔·欧文离开他的小家乡,踏上与他的运动天赋相称的篮球生涯时,他确信自己永远不会再回来了。当他被中国职业篮球联赛停赛后,他发现自己迫切需要一个机会来修复自己的形象,还有什么比回到家乡执教他原来的高中球队更好地改变“教练杀手”的说法呢?唯一的问题是:他的老教练艾弗里·施密特仍然以铁腕手段执掌球队。只是在一次几乎致命的心脏病发作后,施密特教练才被迫接受一位他固执地认为自己不需要的副教练。每个人都同意的是,这支由高中篮球运动员组成的乌合之众队迫切需要有人的帮助。他们几乎相处不来,更不用说知道如何一起玩了,这并不是团队必须克服的唯一障碍。比拉尔和施密特教练对于球队应该如何运作有一些截然不同的看法,更不用说他们对过去的深刻情感分歧从未得到解决。比拉尔和施密特被迫一起工作,必须互相学习,并意识到他们都必须成长,然后才能向孩子们传授成为冠军所需的人生课程。秉承《印第安人队》、《坏消息熊》和《盲点》等伟大的体育失败者电影的风格,《勇士强者》讲述了一个关于球场内外胜利的感人故事。比拉尔和施密特必须互相学习,并认识到他们都必须成长,然后才能向孩子们传授成为冠军所需的人生课程。秉承《印第安人队》、《坏消息熊》和《盲点》等伟大的体育失败者电影的风格,《勇士强者》讲述了一个关于球场内外胜利的感人故事。比拉尔和施密特必须互相学习,并认识到他们都必须成长,然后才能向孩子们传授成为冠军所需的人生课程。秉承《印第安人队》、《坏消息熊》和《盲点》等伟大的体育失败者电影的风格,《勇士强者》讲述了一个关于球场内外胜利的感人故事。
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Recordedwithaswallowedpillcamera,thevideoUngiflarguísimo(AVeryLongGif)isanobservationaljourneythroughthelandscapeofthedigestivesystem,combinedwithadetailedzoomintocitiesandpeoplemovinginthelimitsofourvision,filmedwithapowerfultelephotolens.Thesedisparateimagespacessustaineachotherwiththetensionofcelestialbodies.Thesoundofoverlappingmovementsthroughdifferenthumanagglomerationsoffersathirdlevelofobservation.ScalesareflippedandimperceptiblemovementsareunveiledinthelongestGIFyou’veeverseen.源自:https://www.berlinale.de/en/2023/programme/202309945.html
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德蒙特·莫罗尼
达伦·曼恩
米娜·苏瓦丽
Don Henderson Baker
Alyssa Goss
Mike Stanley
J·D·埃弗摩尔
索尼娅·孙
Timothy Douglas Perez
Daniel Williams-Lopez
Kyle Riggs
Leigh Hill
Jon Stafford
瑞奇·缪斯
Blaque Fowler
埃兹拉·杜瓦尔
Celia Rose Gooding
Kenneth Nance Jr.
Kate Brown
Joseph Curtis Calle
Ayoungex-conriskshisnewfoundfreedomtotrackdowntheestrangeddaughterofafellowinmate,andunknowinglybringsadevilfromherpaststraighttoherdoorstep.
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ACapraesquetaleaboutasoon-to-be-orphanedadolescentseekinganaudiencewithMichelleObama,MaïmounaDoucouré’ssophomorefeaturedismantlesboundariesofstatusanddecorumandcelebratesthepowerofself-determination.
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Marioworksinalargewarehouseoflostobjectswherehekeepsallkindsofbelongingsallkindsofbelongingsaccumulatedoverthedecades.Mario,whohasMario,whohaslongsincedecidedtodistancehimselffrompeople,spendshissparetimeinvestigatingtheinvestigatingtheprovenanceofobjectsinordertoreturnlostpiecesoftheirlivestotheirowners.lostpiecesoftheirlivestotheirowners.OnlyHelena,ayoungpolicewomanwhothewarehouse,hasbeenabletobreakthroughhisarmour.armour.Onedayasuitcaserescuedfromthebottomoftheriverarrivesatthewarehouse.Inside,shefindsshefindsbabyclothesnexttosomehumanremains.MariodecidestoMariodecidestoinvestigateonhisownandfollowingthetrailofthesuitcasehecomesacrossSara,ayoungwomantrappedsinceshewasachildinahumantraffickingorganisation.traffickingorganisation.Anetworkthattreatspeopleasiftheywereobjects.
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Withnooneabletoprovideanexplanation,letaloneofferasolution,onedayMarinadiscoversthatherfacehaschangedcompletely.Thatisthefantastical,absurdiststartingpointforaninquiryaboutidentitythatspreadsinmanydirections—themisadventuresfacedbythemaincharacter,who’simmersedinaverystrangeconflict–aswellasthenewpossibilitiesthisopensforher—,begintointertwinewithaseriesofaudiovisualreflectionsonimagesandfaces,bothhumanandthoseoftheotherspecieswithwhichwecoexistsorconnectonewayoranother.Whatdoaface,afootprintoranamemean?Whatisitthatmakesusbewhoweare?Inahybridformatbetweenfiction,documentaryandessay,TheFaceoftheJellyfishinvitesustowonderwhatisleftofusoncewelookinthemirroranddonotrecognizeourselves.源自:https://www.mardelplatafilmfest.com/37/en/pelicula/el-rostro-de-la-medusa---------------Oneday,Marinanolongerrecognisesherself.Issheill,adifferentperson,prettier?Thosearoundhertakeitintheirstride,herdoctorispuzzled,theauthoritiesblockherIDcard.Agentlecomedythatposesseriousquestionsaboutthehumanface.源自:https://www.berlinale.de/en/2023/programme/202301978.html
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凯文是一个爱尔兰莫斯农场的农民,他坚持自己传统的生活方式,牺牲了自己和他怀孕的妻子更有利可图的生活。当他发现一袋被冲上爱德华王子岛海岸的钱时,他决定保守秘密,这让他的古朴的渔村变成了一个日益增长的犯罪现场,因为钱的主人来了。。。
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更多ASaintLaurentbyAnthonyVaccarelloandVixensproduction,incoproductionwithL’Atelier.Jean-LucGodardoftentransformedhissynopsesintoaestheticprograms.Drôlesdeguerresfollowsinthistraditionandwillremainastheultimategestureofcinema,whichheaccompanieswiththefollowingtext:“Nolongertrustingthebillionsofdiktatsofthealphabettogivebacktheirfreedomtotheincessantmetamorphosesandmetaphorsofatruelanguagebyreturningtotheplacesofpastshootings,whiletakingintoaccountthepresentstories.”
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16集全
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Paris,inthe1960s.Aseriesofcrimestroublesthepublictranquility.OnMarch,22,1968,HélènePicard,aprostitutesentencedtodeathtwoyearsbeforeforseveralmurders,iskilledbyexecutionerLouisGuilbeau.Immediately,theviolentcrimes,similartoHélène’sones,goonagain.Inparallel,Louisishavinganaffairwiththepolicewomaninchargeoftheinvestigation…Whataretheobscurerelationshiddenbehindtheexecutionerandthemysteriouskiller?Whoisthisdarkmaninreality?
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格劳瑞·皮尔丝
米兰达·奥图
特雷西·米登道夫
马尔塞洛·艾罗蒂
罗拉·科克
Tânia Costa
Marianna Mac Niven
Marcio Ehrlich
特里特·威廉斯
Anna Bella
得过普立兹奖的美国诗人伊丽莎白碧许,曾被誉为20世纪最伟大的女诗人之一,本片即根据她的爱情故事与创作历程改编。为寻求灵感,伊丽莎白到里约探访旧识玛莉,认识了她的女友―建筑师萝塔,没想到伊丽莎白当上「小三」与萝塔相恋。而这段禁忌的爱,亦激发了她源源不绝的美丽诗作。《九月的某四天》巴西名导布诺贝瑞多回归巴西力作,《魔戒》女星米兰达奥图诠释女诗人的灿烂生命。
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