Patterson
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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When Maggie Marks faces a tough career decision, she flees to Europe for some soul searching and sightseeing with a friend. There she encounters a handsome European playboy prince, and lands herself in a world she has never known where she finds a new direction in life, while teaching him to be a better prince along the way.
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因某种原因，17岁的男孩丹恩·汤姆森（克里斯·凯利ChrisJ.Kelly饰）随着母亲苏珊（泰瑞·波罗TeriPolo饰）和弟弟卢卡斯（内森·甘宝NathanGamble饰）搬离喧嚣的布鲁克林，来到一座幽静小镇居住。虽然离开了朋友们，小镇生活也有些枯燥，好在邻居的女孩茱莉·坎贝尔（海莉·贝内特HaleyBennett饰）性感魅力，丹恩烦躁的心稍显平静。某天，兄弟俩打闹时无意间在杂物间发现一个深不见底的洞穴。此后不久，卢卡斯和与兄弟俩熟捻的茱莉相继遭遇奇怪恐怖的事情，他们更在光天化日下看见一个双眼流血的小女孩。三人开始有意识地探究这幢房子和黑洞的过去，由此也唤醒了沉睡已久的恐怖……
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该剧描述五个陌生人被困扰鸦林镇多年的神秘诅咒联系在一起，他们必须详细调查小镇的历史并阻止悲剧事件继续发生。主人公Miranda是一位活跃果敢、拥有个人魅力的17岁少女，在收养家庭长大，个性独立，充满自信，但她的生活并不容易。她用智慧来掩盖情感伤疤。如果你能让这位强硬的女孩对你敞开心扉，你将得到一个一生忠诚的朋友。Abel是一位17岁少年，英俊健美，但是为人像一头独狼。他可能是个潜在的危险分子，但也有可能他竭力用这种令人敬而远之的外表来掩盖内心的伤。你很难得到他的信任，可一旦他真的信任你，他绝不会让你失望。Olivia是Abel的双胞胎姐妹，曾经是校园舞会皇后，但因为最近发生一件丢脸的事情而名誉扫地。她过去无忧无虑，现在却时常考虑人生孰轻孰重。她过去的朋友纷纷背叛她，她不知道谁才是她真正的朋友。
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Nicholas Gray a young, driven executive has a secret not even he knows about. As battles with a business rival threaten to crumble Nicholas' carefully planned world, Nicholas meets a charismatic drifter who challenges his life philosophy. Nicholas changes his outlook, loses everything... then decides to get it back..
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塔拉（黛比•莱恩DebbyRyan饰）是一名非常平凡的17岁女高中生，家庭的影响让塔拉的性格非常的害羞内向，她甚至不敢再大家面前大声的说话，每个人都把塔拉当做是毫无还手之力的小羊羔。可是，实际上，塔拉是一个非常有自己想法的女孩子，每当她回到家中，进入自己一方小小的天地后，都会暴露出热情奔放的一面。塔拉建立了一个名为“RadioRebel”的私人电台，只有在这里，她才能够作为DJ肆意展现自己真实的一面。很快，这个电台便在校园内走红了，有了一批忠实的听众，但依旧没有人知道，他们经常谈及的那个流行的电台背后的女人竟然就是塔拉。
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这是一部独立的新派黑色电影。根据著名文人Alejandro Murguia的作品改编。电影带领观众深入常人不熟悉的街区，通过拉丁裔酒店火灾事件的探寻，发掘街区中掩藏的腐败与堕落，同时揭露中产阶级与贫困群体的彷徨。
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这是一部独立的新派黑色电影。根据著名文人AlejandroMurguia的作品改编。电影带领观众深入常人不熟悉的街区，通过拉丁裔酒店火灾事件的探寻，发掘街区中掩藏的腐败与堕落，同时揭露中产阶级与贫困群体的彷徨。
