Choi
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在大学附近开店，秉性诚实善良的40多岁的中年申久，由于店里生意繁忙也顾不上成家的他，生活中似乎也就剩下“赚钱”那点儿乐趣。俊承因为父亲的突然离世开始和儿时就离开自己的母亲胜子一起生活。虽然开口叫声“妈妈”还有些不自在，但俊承内心里很想赚钱尽做儿子的本分。偶然的机会下，俊承开始在申久的店里帮忙，渐渐被像哥哥一样慈祥善良的申久所吸引。某天，申久在酒醉无意识的情况下与俊承度过了一夜。但此后又因为酒醉，和初中女同学胜子发生了关系。此后俊承对申久的感情与日俱增，而胜子也将申久当成了自己的情人。陷入如此情感纠葛的申久在得知俊承与胜子亲生母子的关系后更加不知所措。盲目接受了两个人的爱的申久，他的爱情究竟回事一个怎样的结局呢？
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因为於宇同，附近的男人不能在晚上睡觉！於宇同逃脱之前，她可能因为破坏而被捕。 她逃跑到一个她跌倒的村庄，失去了记忆。 镇上的一名学士找到她并护士回到身体健康。 他告诉於宇同留在他身边，直到她重获记忆。 但是在一个小村庄里，於宇同的美丽的话语迅速蔓延，闪烁着城里人的本能
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智商只有60的东球（崔佑赫 饰）是个烂漫纯真的11岁小孩，天生智障的他觉得世界上最开心的事情就是去学校念书，尽管也有点察觉自己和身边的同学不太一样，但能够呆在嘻哈热闹的伙伴中间，哪怕只能是看着他们自己当个局外人，或者去离教室挺远的地方给他们倒点水，东球也觉得是心满意足了。 东球不明白同学们为什么总是对着他笑，他总是回迎个乾净甜美的笑脸。可是有一天，东球的水壶神秘“飞走了”，原来小小的幸福也被新款的饮水机剥夺了——同学们这回再也不需要他的帮忙了。好不容易，东球找到了新的快乐方向：棒球部的学生们忙于训练，喝水问题成了头疼的事情。于是，“棒球部水值班员”东球带着更大的水壶出现了，继续他的“水班长”生涯，看着蓝天下运动员们生龙活虎的身影，他也渐渐爱上了那个具有神奇魔力的能令运动员哭和笑的棒球，心里也萌生出要当棒球运动员追逐活泼乱跳的棒球的梦想。到了棒球部的东...
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Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
