洪禄基皮特·古尔德
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耶日·斯图尔/
克里斯提娜·杨达/
卡里娜·谢鲁斯克/
马里乌什·德莫霍夫斯基/
马雷克·瓦尔切夫斯基/
扬·诺维茨基/
亨里克·比斯塔/
莱昂·涅姆奇克/
克兹佐夫·马扎克/
斯坦尼斯瓦夫·伊加尔/
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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In this futuristic sci-fi film, based on the legends of the Golem, insane scientists have invented technology that give them total control over the half-human, half-android population of Earth. Trouble ensues when one of the creatures begins showing independent will. He must be destroyed lest he influence the rest. They pursue him, but somehow he continues to elude the evil doctors. ~ Sandra Brennan, All Movie Guide
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故事紧接上季结尾，阿布奎基（Albuquerque）律师Jimmy McGill遭到哥哥Chuck的背叛，于是回到伊利诺伊州的家乡西塞罗（Cicero）与童年死党Marco（Mel Rodriguez）一起策划一系列诈骗诡计。他们成功了，但Marco在他们最后一次干脏活时突发心脏病。Marco死后，Jimmy回到了新墨西哥州，他的人生似乎有了新的意义。他拒绝了圣达菲（Santa Fe）一家大型律师事务所的工作邀请，朝着刑事辩护律师「Saul Goodman」的方向迈出了一大步，他「清白正直」的日子一去不返。他的转型……已然开始。但是制片人反复强调，你不会在本季看到一个完整的Saul Goodman，「Jimmy McGill才是该剧的灵魂人物」，「我们要描述的是他的故事」，「我们不会这么快和他道别」。Jimmy本季有许多事情要做，包括修复与哥哥Chuck（Michael McKean）的关系。Chuck始终不相信Jimmy是一个合法的律师，并且阻止自己的Hamlin Hamlin & McGill律师事务所雇用Jimmy协助调查一起大案。Chuck是个荣誉感很强的人，他爱弟弟，但他不容许他破坏自己的事业和生活——即便有时他不得不承认自己的做法对Jimmy来说有点太过分。观众将进一步了解Mike Ehrmantraut（Jonathan Banks）的个人生活。当费城侦探跑来向他质询一起双重谋杀案时，他被迫雇用Jimmy做自己的法律顾问。这起谋杀案是真实的，Mike当年为了复仇在费城杀死了两名警察，但他绝不是恶意杀人。Mike将发生一些显著的变化，但那些变化起源于小事情。Jimmy和Mike都在朝着《Breaking Bad》中的标志性角色发展，这期间少不了许多「彩蛋」。本季还会有不少闪进情节，观众将看到「Saul在《Breaking Bad》结束后的生活」（准确地说，Cinnabon的Gene），还有「到目前为止最年轻的Jimmy」。一些观众在《Breaking Bad》首季中见过（但是之后再也未见到）的角色将在本季亮相。当然，还有观众熟悉的一些人。此外，Jimmy是个天生的「问题解决者」，他将帮助许多新角色摆脱困境。他还将遇到一个大人物Clifford（六届艾美奖提名获得者Ed Begley Jr.），他手中掌握的权力能让Jimmy诸多梦想变为现实……只要Jimmy付得起他的价钱。Clifford表面上看起来慈祥和蔼，让人很乐意和他待在一起。可一旦任何人触犯了他的利益，必将遭遇灭顶之灾。除了继续与Chuck关系紧张之外，Jimmy与Kim的矛盾也日渐升级（但是Jimmy与Kim的私人关系也变得更加纠缠不清）。你还应该特别留意Jimmy与Davis和Main的关系、Jimmy与Mike的关系。转自天涯小筑
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本片荣获第69届威尼斯电影节最高奖金狮奖，是金基德的第18部电影。李江道（李廷镇 饰）是一个十恶不赦的高利贷收账者，他没有家人，也没有恋人，生活的重心就是每天上门向欠债人讨债。他生性冷酷，手段残忍，常常用暴力威胁对方，甚至还把欠债人人打成残废。那些被江道追讨过债务的家庭，从此都过上了丧失尊严的破碎生活。可是突然有一天，一个名叫江美善（赵敏秀 饰）的中年妇女来到了江道的面前，并声称自己就是他的亲生母亲，而江道就是自己那个走失已久的儿子。渴望亲情的江道在半信半疑之下和这个女人开始了一段特殊的“母子关系”。渐渐品尝到亲情温暖的江道却不知道，一场阴谋正等待着他......
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Jennifer uses her intuitive skills to investigate her friend's death in a multimillion-dollar home with a dark history.
