夏洛特·贝斯特齐音
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This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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“星际迷航”系列将推出新剧《星际迷航:奇异新世界》(Star Trek: Strange New Worlds),主角为Christopher Pike、Spock、Number One,这三人组的“发现号”衍生剧真的来了。
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“星际迷航”系列将推出新剧《星际迷航:奇异新世界》(Star Trek: Strange New Worlds),主角为Christopher Pike、Spock、Number One,这三人组的“发现号”衍生剧真的来了。 本剧由《发现号》已登场的安松·蒙特、伊森·派克、丽贝卡·罗梅恩主演,聚焦Pike舰长掌管企业号之前,三人组探索星系中那些新世界的故事。依旧由艾里克斯·库兹曼把控,阿齐瓦·高斯曼担任首集编剧,开播日期尚未确定。
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Netflix首部原创澳洲剧集《鱼妖怪谈》(Tidelands)发布预告,埃尔莎·帕塔奇、夏洛特·贝斯特(《青春旋律》)、阿隆·贾库本科(《莎拉娜传奇》)、彼得·奥布莱恩(《美女摔角联盟》)、玛德琳·麦登(《爱探险的朵拉》)等参演,12月14日上线。 讲述一个前罪犯返回家乡的小渔村奥弗林湾,当一名当地渔民的尸体被冲上海岸后,她对镇上奇怪的居民——被称为Tidelanders的半人半妖生物——展开调查,揭开这个小镇的秘密。
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一部老式的群戏喜闹剧,但演员配搭精彩,节奏处理轻快流畅,仍然令人看得开怀。编导斯坦利.塔西身兼男主角,他和奥利弗.普拉特饰演一对失业的演员,因为开罪了酗酒的大明星阿尔佛德.莫连纳,被他扬言追杀,所以逃跑到一艘豪华邮轮上当偷渡客。不料明星也追上了这艘船上,而船上载有多名古怪的乘客,包括一名具有自杀倾向的歌手,和一名计划要毁灭整艘船的疯子,自然把这一趟本来应该十分愉快的航程弄至惊险百出。导演利用船上的封闭性空间大搞视觉性动作笑料,间中也穿插速成的爱情,气氛相当热闹。
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科菲和未婚妻爱丽丝正在准备迎接他们的宝宝。在孩子出生之前,他们要一起返回科菲在非洲的故乡,去获得科菲父母的祝福。但这趟旅程对于科菲来说并不轻松一一大部分时间都远离家人生活的他,被视为是会带来厄运和耻辱的社会异端。科菲并不是个例,跟他一样被贴上“巫师”或“女巫”标签的,还有必须为自己的自主权而战的叛逆的帕科、科菲的妹妹塔拉、甚至他的妈妈穆吉拉——她年轻时曾被此折磨到精神崩溃,现在却同样将其加诸之于自己儿子的身上。