唐朝诡事录·西行 马克·弗赖兹吉约姆·卡内
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It’stheyear50BC.TheEmpressofChinahasjustbeenimprisonedfollowingacoupd’étatincitedbyDengTsinQin,atraitorousprince.HelpedbyFinalthesis,thePhoenicianmerchant,andherfaithfulbodyguardMaiWei,theEmpress’onlydaughterPrincessSass-YifleestoGaultoaskforhelpfromtwovaliantwarriorsAsterixandObelix,whoareendowedwithsuperhumanstrengththankstotheirmagicpotion.OurtwoinseparableheroesgladlyaccepttohelpthePrincesssavehermotherandfreehercountry.AndthusbeginsagreatvoyageandadventureontheroadtoChina.ButCaesarandhispowerfularmy,thirstyforanewconquest,arealsoheadingtowardtheMiddleKingdom.
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吉约姆·卡内自编自导自演的法国喜剧，也是他的自传电影，影片讨论中年危机，吉约姆·卡内在片中扮演自己，被合作演员告知“不够摇滚卖不了电影”，他失落了一阵，后来他决定跟法国著名歌手约翰尼·哈里戴学习如何成为“真摇滚”。之后让老婆与演员玛丽昂·歌迪亚对画风突转为摇滚风的卡内惊讶不已。吉约姆·卡内真正突破了自己，成为了真正“摇滚专家”。
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在一个飘雪的季节，小有成就的出版人威尔·艾藤森（丹尼尔·克雷格 Daniel Craig 饰）辞去工作，带着妻子莉比（瑞切尔·薇兹 Rachel Weisz 饰）和一双可爱的女儿离开喧嚣的纽约市，来到安静的新英格兰镇展开新的生活。新的环境，新的磨合，表情冷淡甚至露着敌意目光的邻居，化着浓重哥特妆容不请自来的小青年，都令维尔的的幸福显得那么脆弱不堪。与此同时，女儿们似乎也受到神秘诡异的事物所侵扰。随着奇怪的事情不断涌现，艾藤森夫妇渐渐察觉他们的房子当年曾经发生过凶杀案。 威尔偷偷对房子的过去展开调查，而这个平凡的四口之家好像也成了他人锁定的目标……
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这是一部强有力的角色驱动型惊悚剧，设定在当代伦敦的中心。故事讲述一通匿名电话将两位才华横溢的警探卷入了一起旧谋杀案。June Lenker警长，是一个处于事业初期的年轻女性；Daniel Hegarty高级督察，则是一位人脉宽广的男性，他下定决心保护自己的过往成就。
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Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
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口哨声响遍土耳其偏乡的高山低谷，是村民隔空传话，也是哑女与人沟通唯一途径。贵为村长爱女，虽免戴头巾的规范，却难避众人鄙夷目光。奔走山岭，希望射杀野狼以赢得尊重，不料被神秘负伤男子突袭，肉体心灵亦一并被俘虏。饿狼传说令人心惶惶，未及父权社会的封建巨灵，更令少女恐惧。一趟北部之旅与坚毅女子偶遇，启发辛却斯与佐凡尼提谱写这现实、梦幻与民间神话交织的故事，以自由呼啸，为独立自强的女性呐喊。
