唐朝诡事录·西行 海伦娜·伯翰·卡特卜尔
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第一次世界大战期间，德国政府以漂亮的口号呼吁年轻热情的学生志愿者投身战场保家卫国。一腔热血的德国青年保罗·鲍曼（卢·艾尔斯 Lew Ayres饰）怀着英雄理想投身到一战之中。然而当保罗和他的同学们经过训练后，被派往西线参战时，他们目睹到的却是残酷的饥饿、血腥和死亡。战争的荒谬无情让保罗从迷恋战争到心灰意冷，因伤返乡。可是愚昧的乡民根本不知前线的危急，保罗义愤填膺地向学生陈述战争的无情，西线无战事。他提前结束休假返回前线，在战壕中伸手捕捉一支蝴蝶时，不幸被流弹击中。
由好莱坞著名导演刘易斯·迈尔斯通执导的经典反战题材影片《西线无战事》，改编自德国作家雷马克的同名小说。这部堪称电影史上“最伟大的反战电影”之一的影片，一举荣获1930年第3届奥斯卡金像奖最佳影片、最佳导演和最佳编剧提名。导演用简明精练的镜头再现了惨绝人寰的战争实况，也以细腻流畅的手法写活了保罗爱国迷梦的幻灭。影片结尾处保罗捉蝴蝶被子弹击中的镜头，已成为电影史上的经典瞬间。
由好莱坞著名导演刘易斯·迈尔斯通执导的经典反战题材影片《西线无战事》，改编自德国作家雷马克的同名小说。这部堪称电影史上“最伟大的反战电影”之一的影片，一举荣获1930年第3届奥斯卡金像奖最佳影片、最佳导演和最佳编剧提名。导演用简明精练的镜头再现了惨绝人寰的战争实况，也以细腻流畅的手法写活了保罗爱国迷梦的幻灭。影片结尾处保罗捉蝴蝶被子弹击中的镜头，已成为电影史上的经典瞬间。
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小小少年T.S. 斯派维（凯尔·凯特莱特 Kyle Catlett 饰）生于蒙大拿州一个偏远牧场，他有一颗聪明绝顶的大脑，酷爱制图学和科学图解，年仅十岁就发明了永动机。他的父亲（考乐姆·吉斯·雷尼 Callum Keith Rennie 饰）是个狂热的牛仔迷，搜集关于西部牛仔的一切；母亲（海伦娜·伯翰·卡特 Helena Bonham Carter 饰）是一位生物学博士，潜心投入到昆虫研究中；而姐姐则是一个最普通不过的正常人，她常常为生在这个一屋子怪人的家里而烦恼。T.S.原本还有一个异卵双胞胎弟弟雷顿，去年死于一场意外。
这天，T.S.接到一个来自史密森学院的电话，告知他被授予了世界科学大奖贝尔德奖，并邀请他到华盛顿演讲。于是，十岁的科学奇才T.S.斯派维，偷偷爬上了货运火车，独自踏上了穿越美国的奇异旅行。
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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
