唐朝诡事录·西行 丽贝卡·汉弗莱斯阿克塞尔·卡罗琳
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After suffering a stroke, Judith Albright moves into a historic nursing home, where she begins to suspect something supernatural is preying on the residents. In order to escape, she'll need to convince everyone around her that she doesn't actually belo
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桃乐丝（西蒙·西涅莱 Simone Signoret 饰）的丈夫是个脾气十分古怪的男人，不仅如此，他还常年因为身体不好而卧病在床，饮食起居都要桃乐丝来照料。除此之外，桃乐丝的婆婆（Sylvie 饰）亦是个难缠的老太太，性格软弱的桃乐丝处处受他们的控制和指挥，终日生活在劳累和抑郁之中。 一次偶然中，桃乐丝结识了丈夫的朋友劳伦特（雷夫·瓦朗 Raf Vallone 饰），这个温柔而又憨厚的男人慰藉了桃乐丝饱受伤害的内心。随着时间的推移，两人渐渐对彼此产生了真挚的感情。不忍看到桃乐丝继续受苦，劳伦特提出了两人私奔的请求。然而这个计划很快就被桃乐丝的丈夫发现了，桃乐丝遭到了无情的软禁。
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Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
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在高中最后两年的时光里，爱普尔（汉娜·马克斯 Hannah Marks 饰）和同学尼克（迪伦·斯普罗斯 Dylan Sprouse 饰）经历了一段充满激情的恋爱关系，然而，这段关系并没有持续太长时间，仿佛是突然之间，他们宣布了分手的消息。 暑假来临之际，爱普尔过着无所事事的日子，直到她遇见了一个新朋友克拉拉（丽亚娜·莱伯拉托 Liana Liberato 饰），这个偶然的相遇成为她疗愈受伤心灵的一剂良药。然而，令人意想不到的是，就在爱普尔觉得自己已经逐渐能够走出上一段失败恋情的节骨眼上，她震惊的发现，克拉拉竟然也和尼克交往过。
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史蒂文·斯皮尔伯格日前确认他将翻拍百老汇经典音乐剧《西区故事》，曾与其合作《林肯》的编剧托尼·库什纳目前正在创作剧本。关于影片的演员阵容和档期尚未确定。斯皮尔伯格日前在与《好莱坞报道者》的一次访谈中证实了他将执导改编《西区故事》这一消息。他表示已得到了1961年奥斯卡最佳影片《西区故事》的翻拍版权，曾与其合作《林肯》和《慕尼黑惨案》的编剧托尼·库什纳正在创作剧本。该片将由FOX和MGM共同担纲制作。影片的卡司和上映日期目前尚不确定。斯皮尔伯格还透露自己在过去的十年间一直惦记着翻拍《西区故事》，15年前他已经开始着手获得改编版权。其实斯皮尔伯格一直对《西区故事》怀有浓厚的热情。早在2014年，他就曾提及对《西区故事》的喜爱，并表示有意翻拍。当时他曾谈到“西区故事是我最喜欢的百老汇音乐剧之一，它有着伟大的旋律和歌词，它一直在我的脑海里”。《西区故事》最初是1957年首演的百老汇经典音乐剧，取材于莎士比亚的戏剧《罗密欧与朱丽叶》，故事背景设定在五十年代的纽约贫民区，在剧中主人公的名字变成了托尼和玛丽亚。1961年罗伯特·怀斯和杰罗姆·罗宾斯将该剧改编为同名音乐电影，由娜塔利·伍德和理查德·贝梅尔主演。该片在当年的奥斯卡颁奖礼上一举囊获了包括最佳影片奖在内的十项大奖。
