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When hundreds of videotapes showing torture, murder and dismemberment are found in an abandoned house, they reveal a serial killer's decade-long reign of terror and become the most disturbing collection of evidence homicide detectives have ever seen. Written by Tribeca Film Festival
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This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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冈田进(滨田岳 饰)和安藤勇次(室毅 饰)是东京一家清洁公司的小员工。与毫不自信的阿进不同,安藤哥的感觉似乎格外良好,这一切源于他对爱情的自信。安藤喜欢上了某咖啡馆的服务生阿部由香(佐津川爱美 饰),他要求冈田为其出谋划策。与此同时,他们发现由香似乎被某个男人盯上了。阿进注意到,那名跟踪者是自己的老同学森田正一(森田刚 饰),有着黑暗历史的森田周身散发着黑暗的死亡气息。令阿进意想不到的是,由香居然对他格外中意,两人于是陷入热恋。当阿进发愁如何向安藤哥讲明情况时,双手沾满鲜血的森田则悄然向他们逼近…… 本片根据古谷实的同名漫画改编。
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劳拉·范德沃特
肖恩·罗伯茨
Sonya Salomaa
Sean Allan
Carolyn Adair
Carmelo Bottieri
Sean Carey
Lossen Chambers
郑启蕙
理查德·伊安·考克斯
莱恩·爱德华兹
柯林·富
Kevan Ohtsji
R. David Stephens
黄仁勋
索菲·安德森是一家腐败制药公司知识产权案的首席律师。当她的导师兼老板布鲁斯·亨肖被绑架时,索菲成了一个精心策划的小卒,这个阴谋危及了她的案件,甚至更多。苏菲与时间赛跑,为了救布鲁斯,逃掉那些设陷阱诱捕她的致命陷阱。
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法国巴黎,右翼选举如火如荼,不同派别相互攻讦,城中一片混乱。亚利克斯(Aurélien Wiik 饰)、汤姆(David Saracino 饰)、法瑞德(Chems Dahmani 饰)、赛米(Adel Bencherif 饰)和亚丝敏(Karina Testa 饰)是一伙年轻的穆斯林劫匪,他们趁乱抢得一笔钱,计划携款逃往阿姆斯特丹。逃往途中,赛米中弹,其余四人分成两伙逃亡。
汤姆和法瑞德逃到位于国境线附近某偏僻森林的旅馆中,性感耀眼的姬尔波特(Estelle Lefébure 饰)和克罗蒂娅(Amélie Daure 饰)令二人醉倒温柔乡,乐不思蜀。不久,失散的亚力克斯等人赶来会合,却发现他们陷入一个新纳粹分子的血腥屠杀营…
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艾德(Brian Presley 饰)、汉瑞(Jake Muxworthy 饰)和菲尔(Rider Strong 饰)是三个来自美国的大学生,又逢周末,青春躁动的大男孩们相约前往美国南部边境寻欢作乐。他们驱车来到到墨西哥北部一个叫曼泽塔的小镇,这里荒凉鬼魅、黯淡无光的景象似乎并未引起男孩们的主意,他们一门心思寻找酗酒以及艳遇的机会。当晚,三个家伙如愿以偿抱得美人归,一夜风流过后却发现,菲尔不见了踪影。艾德和汉瑞四处寻找,毫无下落,连警方也拒绝帮助。他们逐渐意识到,自己已经进入当地人精心编织的杀戮罗网之中……©豆瓣
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当一群阿富汗的军人追捕恐怖份子途中 进入了一个迷宫似的洞穴 在这个洞穴底下有著完全不同的景观, 可怕的是一群基因突变的蝙蝠开始狂噬人肉!
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路易斯·托萨尔
罗德里戈·德拉·塞尔纳
劳尔·阿雷瓦洛
何塞·科罗纳多
帕特里夏·维柯
华金·弗里尔
卢西亚诺·卡塞雷斯
玛丽安·阿尔瓦雷斯
路易斯·卡叶赫
米格尔·费南德斯
华金·克莱门特
玛利亚·莫林斯
一群劫匪计划好了打劫瓦伦西亚一家银行。他们打算抢走尽可能多的保险箱,然后通过与废弃地下铁线路相连的隧道逃之夭夭。尽管事情表面上看起来如此,但是西班牙首相的新闻发言人发现了蹊跷:这群劫匪真正的目标其实是一个特定的保险箱——314号盒子,盒子里面装的是正处在昏迷状态的前政府官员Gonzalo Soriano留下的文件,涉及到政府的惊天秘密。然而劫匪们的计划出了意想不到的差错,隧道由于暴雨而被淹没,他们无处可逃。与此同时,尽管这次抢劫是按照当权政府的某些部门下达的指示而行事,银行的保安人员们并没有接到指示要放他们逃走……
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