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While the hot rodders and motorcyclists are having a rock-and-roll beach party, a barrel of radioactive material is unloaded from a passing ship, plunges to the bottom and splits against a jagged rock. A black liquid oozes out and covers a shapeless mass on the ocean floor, which suddenly moves and becomes an encrusted vicious monster. Soon there are several monsters and they must have human blood to survive. Tina is the first victim, and football hero Hank Green and airhead Elaine Gavin enlist the aid of her science-professor father, Dr. Gavin, to solve and capture the killer. Not working fast enough to prevent the attack on twenty teen-agers at a slumber party nor the killing of three girl motorists, Dr. Gavin finds an arm lost by one of the monsters and discovers that only sodium will destroy the monsters whose composition is mostly water. Can they gather enough salt in southern California to put an end to this horror
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In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive by the Holy Inquisition of Mexico for witchcraft, necromancy, and other crimes. As he dies, the Baron swears vengeance against the descendants of the Inquisitors. 300 years later, a comet that was passing overhead on the night of the Baron’s execution returns to earth, bringing with it the Baron in the form of a horrible, brain-eating monster that terrorizes the Inquisitor’s descendants.
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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弗兰肯斯坦(科林·克利夫 Colin Clive 饰)是一个天才科学家,他想像上帝一样创造生命,于是不顾学校教授的反对,离开了大学,和助手到山上的一座古堡里做人体实验。他从墓地等地方找来了各种人体残肢,还从学校实验室偷了一颗大脑,利用这些制造出一具人体。他的未婚妻伊丽莎 白(梅·克拉克 Mae Clarke 饰)出于担心,就与好友(约翰·博尔斯 John Boles 饰)和学校教授一同去古堡实验室找弗兰肯斯坦。正是在这个暴风雨之夜,弗兰肯斯坦的人体实验完成了——他利用雷电让手术台上的躯体有了生命。然而几天后,这个由科学家创造出来的怪物开始不受控制,他先是把科学家的助手杀死,又开始攻击教授和科学家。 于是,身心俱疲的科学家被接了回家,并且开始筹备婚礼,而怪物则留给教授处理。但是怪物却把教授杀死了,从实验台上逃了出来,一步一步走近村庄,还把一个小女孩淹死。正在举行婚礼的弗兰肯斯坦对此浑然不知……
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