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政府采用了一种辐射灭虫器用来消灭农田里的害虫,但却引起了可怕的后果。杀虫器所放射出的有害物质使附近的死人复活,并将他们变成了饥饿的丧尸。然而正在农场附近的约翰和安娜两个人不幸被丧尸袭击,后在警员的帮助下才得以逃脱,可警员却葬身尸腹。于是约翰被警方怀疑涉嫌谋杀而遭到拘捕,安娜则被送往医院中。由于病毒不断的扩散,致使医院里的死人纷纷爬起袭击活人,约翰得知消息后不顾一切逃出警局,但他还能赶得及去拯救安娜吗…… 这是一部由意大利与西班牙影业联合监制的七十年代恐怖杰作,被广大恐怖影迷奉为经典的作品,也是七十年代最卖座的丧尸电影,影片拍摄的时尚大气,丝毫没有拘束感。片子虽然被指模仿了罗梅罗的,但在某些创意上却有着天差地壤之别。在开场几分钟的时间里,导演就把社会的灰暗面表露无疑,然后笔锋一转,便开始了紧张的剧情。片中的丧尸首次被赋予了智慧,其男女主角也有相当的悲情色彩等,有许多情节被后来的一些丧尸片竞相模仿,甚至使其成为了一部里程碑式的作品。
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尤尔根·朗赫勒
埃里克·黑维尔
玛丽亚·波克
Anders
Wang
Kim
Sørensen
Ketil
Høegh
Kari
Bremnes
Kristian
Figenschow
Svein
Harry
Hauge
Randolf
Walderhaug
Tom
Espen
Pedersen
André
Sørum
Erik
Smith
Meyer
Eirik
Junge
Eliassen
Marius
Lien
在1962年,21个人在挪威的金斯湾爆炸事故中死亡。这个事故直接导致了从二战开始就统治挪威的劳工执政党的倒台。但是,这真是一起事故吗? 一个高度紧张的动作惊悚探索性政治游戏在这个最大的爆炸事故后面的挪威政治中上演。
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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