影片库

　　

AcclaimedfilmmakerLeannePooleydirectsthisinsightfuldocumentaryexaminingthefutureofartificialintelligenceandtheimpactitwillhaveonourworld.Ascomputerscontinuetoevolveatanever-greaterspeed,soontheywillhavethecapacitytodesignandprogramthemselves.Withoutthehelpofhumans,thenextgenerationofcomputerswillcreatenewandsmarterA.I.atanexponentialpace.Whatwillthesetechnologicaldevelopmentsmeanforthefutureofmankind?WrittenbyGFCFilms

　　2005年圣节前3天，电子游戏设计员米正在赶制全新游戏－极乐迷宫，准备在圣诞日推出面大量发售．岂料异变突然发生，游戏里的主角苏被病毒感染产生自主意志，厌倦了打打杀杀无限续局的残酷生涯，要求杰米删除游戏程式，另一边厢，电脑集团又派人催促杰米赶快交货，进退维谷的，他只好兵行险著，策动一场网络革命……

　　在一个禁止约会的国度，三名追寻幸福的少女决定加入一个由魅力领袖领导的隐居社区。

　　Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

　　A workman is accidentally sent into outer space, where he meets an alien that can make himself invisible. They return to Earth in the year 2447. Complications ensue.