迈克尔·古德利菲1958

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

本片根据威廉福克纳的原着改编。故事描述在美国南方的密州小镇，一个腐朽且死气沉沉的富户，因为一名强悍的年轻佃农闯入他的生活而引致情况发生了整个变化。本片是一部文学艺术十分浓厚的电影，导演马丁．瑞特对气氛的营造非常成功，对几位主角的性格刻画也非常深入有力，可惜结局有点泄气之感，此外，本片的剧本和原着小说有很大的出入。

琪琪（莱斯利·卡伦 Leslie Caron 饰）是一个美丽天真的少女，自小被祖母抚养长大的她养成了自由又不羁的性格。祖母希望琪琪能够成为一位出入上流社会的淑女，为此，她将琪琪送往了她的姨妈家接受特殊的训练课程。在姨妈家，琪琪遇见了帅气多金的加斯东（路易斯·乔丹 Louis Jourdan 饰），在琪琪年幼的时候，他们早已相识，而此时的琪琪已然出落成为了亭亭玉立的模样，这让加斯东的内心荡漾起了涟漪。　　祖母将加斯东对琪琪的感情全都看在了眼里，开始想方设法撮合两人。一番波折后，琪琪和加斯东终于两情相悦了，加斯东不仅送给琪琪珍贵的珠宝，还带着她出入各类上流社会的高档舞会。面对突如其来的荣宠，琪琪有些得意忘形，而她的所作所为没有逃过加斯东的双眼。

贺永年自幼失去了双亲，由商店的老板娘抚养长大成人。老板娘家里有个小女儿静琴，静琴和贺永年从小相处到大，两人之间青梅竹马的友情渐渐升级成为了爱情。静琴深深的爱着贺永年，处处为他提供帮助，老板年也对这对璧人的感情十分的支持。

大革命开始前的法国，人们在腐朽残暴的法国贵族统治下蓄势待发、风起云涌。此时，来自英国伦敦的年轻律师卡尔顿来到了多夫。一同抵达多夫的，还有伦敦银行的加维斯·劳瑞先生。在多夫，卡尔顿邂逅了随后也来自英国来的露茜·玛内特小姐。就在擦肩而过的一瞬间，卡尔顿为露茜小姐天使般的美丽所倾倒，从此深深地爱上露茜。从多夫随劳瑞先生一起来到巴黎，露茜找到了失散十八年的父亲玛内特医生，由此揭开了一段关于父亲的秘密。十八前，父亲在法国做医生。一次，父亲在埃佛蒙德贵族庄园发现了贵族残酷迫害法国民众致死的秘密。出于人道，玛内特医生答应为最后一个幸免的小姑娘寻找生的机会。然而，玛内特医生为此而遭牢狱之灾，一关就是十八年。十八年后的久别重逢，露茜起初不敢认自己的父亲。好在有露茜和女佣的精心照顾，玛内特医生很快就恢复过来。不久，一个叫查尔斯·达尔内的英俊青年走进了玛内特的生活，让玛内特决定将女儿露茜许配给他。露茜哪里知道，就是那个整天醉意熏熏的“酒鬼”卡尔顿，正如痴似迷地爱着她。此时，一个发生在查尔斯·达尔内身上的官司，把卡尔顿推了出来。埃佛蒙德贵族的巴萨侯爵以查尔斯·达尔内携带海军机密文件的罪名，把他告上了法庭。由于卡尔顿的睿智和机敏，查尔斯在法庭上被判无罪。巴萨的贪婪和残忍，也为自己招来了杀身之祸。一个夜黑风高的夜晚，巴萨在自己的庄园被杀身亡。不久，法国贵族的腐朽统治在法国革命民众风起云涌的抗争中被推翻。在人民掀起的一场声势浩大的与没落贵族清算的运动中，埃佛蒙德家族没能幸免。非但如此，查尔斯先生也被纠了出来。原来，查尔斯·达尔内是埃佛蒙德家族的后裔。人民法庭上，就在卡尔顿的极力辩护已经给查尔斯开脱掉罪名时，玛内特十八年前在埃佛蒙德庄园救下的那个女孩，却拿出了查尔斯就是埃佛蒙德家族后裔的确凿证据。埃佛蒙德即将被推上断头台，此时的露茜已经怀上了埃佛蒙德的孩子。为了自己心爱的女人，卡尔顿决定以牺牲自己的方式挽救情敌，成全露茜。埃佛蒙德被推上断头台的前夜，卡尔顿乔装成埃佛蒙德的朋友前来探监，用自己成功换出了埃佛蒙德。埃佛蒙德随露茜逃出巴黎城后，卡尔顿带着对露茜的爱，义无返顾地走上了断头台。

二战期间在法国南部，作风强硬的美国陆军中尉三洛金斯（弗兰克·辛纳特拉饰演）和骄傲自大的无线电操作员布里特阿·哈里斯（托尼·柯蒂斯饰演）同时看上了法国姑娘莫尼克·布莱尔（娜塔利·伍德饰演），当得知布莱尔的父亲是黑人，她是一个混血儿时，由于种族观念两人陷入了矛盾之中。 中尉三洛金斯克服了潜在的偏见，但哈里斯没有。在战斗中三洛金斯失去了一只胳膊，战争结束后，他来到了布莱尔身边

高兰香是某农业合作社的生产队长、共青团支部书记，而且还是一个新式工具的创造者。兰香和她的未婚夫——解放军某部排长谷志强原定春节结婚。后因部队打破常规过春节，谷志强随部队去十三陵水库工地参加建设，不能回来。恰好，合作社也要兴修水库，决定派兰香和志强的父亲谷景春到十三陵水库工地学习。

描写农村两条道路的斗争。